REVISITING THE SONICAL SERIES REVIEW

Nearly three years since quintessential arts© was founded its story has been nothing short of substance, remarkable growth and still exudes the feeling of a damn near mythical organization.

Almost always hard to believe that it’s been built on a shoestring budget.

With backhanded compliments and more than half the time assaults at societal norms, political establishments, and constant criticism and dissection to the religion by which it is built on from aesthetics to references.

2022 served as a critical year to the quintessential arts© rigmarole, The Aesthetic of Opulence L.P was released and finally it felt like the formulae which took 3 Sonical Installations that sounded staticky and dusty like they were recorded in Dallas by Don Law had finally paid off so it was fair to make the assumption that this installation would be the final installation.

The project was well rounded with a story built on chess, a runtime of 16 minutes and the trade off in “act i” felt like we were back in ‘96 with verses being traded every other second with a beat leaning more towards silence than sound.

“the future of quintessential arts©” couldn’t be further from the truth, when you think quintessential arts© “versatility and sheer creativity instantly come to mind” “it’s not going to touch not just a certain demographic but a wide one and thus lead to an exponential growth.”

If The Aesthetic of Opulence L.P was the first time the formulae were perfected then a sequel is only right, and it’ll certainly live up to the predecessor.